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【優利亞-卡尼爾白色】單人3.5尺床頭箱+抽屜床底+尾
13,114 【優利亞-卡尼爾白色】單人3.5尺床頭箱+抽屜床底+尾 ◎床頭箱+抽屜床底+床尾片組合|◎簡約純白色系|◎內部可置物類型:組合組合說明:優利亞-卡尼爾白色單人3.5尺床頭箱+抽屜床底+尾(不含床墊)×1規格:單人加大3.5尺尺寸(公分):床組總尺寸:寬108×深220×高101公分床頭箱尺寸:寬108×深27×高101公分床底尺寸:寬105×長190×高31公分床尾片尺寸:寬106×深3×高53公分(尺寸皆為參考值均有正負3%誤差值)主材質:木質材質說明:木心板+MDF顏色:白色系產地:台灣組裝方式:到府安裝回收舊床注意事項:無回收服務(依商品大小另行估價,如為組裝式設計需自行拆解)鑑賞期說明:1.本商品自到貨日起享有10天免費鑑賞考慮期,非10天試用期,商品經使用過後一律不接受退貨。2.到貨10日內為免費鑑賞期,若非商品品質瑕疵問題鑑賞期之內退貨之情形,我們則需酌收運費1500元配送注意:1.配送範圍:此系列商品為促銷款式~基隆至新竹市區免運費~其他地區不配送!商品由專人組裝,限當天免費組裝。2.透天厝手工搬運自4樓起.含4樓,每樓酌收500元.當場交付給師父人員3.需以吊車吊運以當地吊車行情計,費用由消費者支付。4.除商品本身有瑕疵可辦理退貨,商品一經使用組裝或損毀即不可退貨,退貨必須保留紙箱及商品組合之齊全及完整性,包裝已丟棄須另收包裝處理費。5.商品如有任何毀損、變形、受潮、污損,一律不接受退貨。商品退貨,原包裝需完整如收貨時之狀態,配件及贈品無缺。包裝已丟棄須另收包裝處理費。6.大型傢俱下單前請先丈量好購買商品位置尺寸,與商品位置是否合適,以免產品送達後發現尺寸不合,造成雙方困擾。7.商品由配送人員送達時,請當場檢查商品有無缺失,避免造成爭議。8.因拍攝燈光、電腦解析度、瑩幕不同、可能會造成實品與網頁上商品有些許色差,商品以收到實品為主。9.訂購前請確認商品尺寸,大型物件因人工丈量,難免會有些許誤差值(約正負3cm內),詳細的尺寸以實品為主。10.商品一經組裝如需退貨,需酌收拆裝費用。11.下訂前請確認好尺寸與規格,訂錯規格、顏色需加收費用1500(當場支付)12.商品收下後因尺寸不符辦理退貨或貨運送達拒收時需加收運費1500/件13.大型商品7-10天內到達(例假日除外),如需晚間或假日配送,請於訂單上先行註明以協調配送時間。偏遠地區說明:大型傢俱類、實因特殊地型限制偏遠山區、鄉鎮無法送貨時,本公司保有出貨與否權利
(BIS) 鈴木雅明 巴哈 清唱第44集 Suzuki Bach SACD1791
590 (BIS) 鈴木雅明 巴哈 清唱第44集 Suzuki Bach SACD1791 專輯類型: 1SACD 發行年份: 2009 國際條碼: 7318599917917 音樂廠牌: BIS 鈴木雅明 指揮 日本巴哈合奏團 瑞秋.妮可絲 女高音 羅賓.布雷茲 假聲男高音 蓋爾特.托克 男高音/彼德.庫伊 男低音 Volume 44 of this universally acclaimed series takes us to Leipzig in the spring and summer of 1726. The two cantatas BWV 146 and 43 were composed for Jubilate Sunday and for Ascension Day respectively, both of them joyous occasions celebrating Christ's resurrection and subsequent ascension into heaven. In BWV 43 the aspect of celebration is obvious in a scoring that includes trumpets and timpani, lending splendour and emphasis to the jubilant opening, a complex choral fugue. The work also provides each of the four vocal soloists with arias that express different aspects of the mystery of the Ascension. In BWV 146, Bach and his unknown librettist followed the gospel passage for Jubilate Sunday: 'your sorrow shall be turned into joy'. In consequence, the various movements present jubilation and grief successively, beginning with an instrumental Sinfonia which in spite of its minor key is characterized by a bubbling vitality. Based on a lost violin concerto which also served as the model for one of Bach's harpsichord concertos, this movement gives a soloistic part to the organ – on this recording the fine Marc Garnier instrument of the Shoin Chapel in Kobe. The organ also plays a prominent part in the following movement, for which Bach again used material from the violin concerto, simply adding the lamenting choral parts to the existing score. In the third cantata on the disc, BWV 88, the subject is the well-known incident of Christ telling Peter to throw out his nets once more after a night of unsuccessful fishing. The soloists in these three works have all appeared before in the series, and the Bach Collegium Japan and Masaaki Suzuki are in the same fine form that inspired the reviewer in the French magazine Classica when writing about Volume 42: 'an interpretation of incontrovertible eloquence. Suzuki serves Bach in the same manner as the composer served God and his church: humbly, but not without pride.' J.S. Bach 01-08 Wir mussen durch viel Trubsal in das Reich Gottes eingehen, BWV146 37'17 09-16 Siehe, ich will viel Fischer aussenden, BWV88 17'12 17-27 Gott fahret auf mit Jauchzen, BWV43 19'31 Album total 75'48
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